The demons inside her: a review of NEXT TO NORMAL, by Stuart R. Brynien
One of my favorite musicals–Tom Kitt and Brian Yorkey's Next to Normal, a heartbreaking drama about a family haunted by death, baffled by life,...
Review of THE COUNTRY HOUSE at the Samuel J. Friedman Theatre
"What does it feel like to look attractive every day?", asks Susie Keegan–played by Sarah Steele (Spanglish).
"I only get to see my flaws", replies...
Kate Mulley’s review of MY MANANA COMES
Elizabeth Irwin’s My Mañana Comes is a play about the politics of working in New York City as explored through the personal relationships of four...
Whom gods employ: a review of THESPIS, OR THE GODS GROWN OLD
Before there was The Pirates of Penzance…before there was HMS Pinafore…before any of their later successes, Gilbert and Sullivan collaborated for the very first time...
GUNS AND DOLLS: A REVIEW OF “BULLETS OVER BROADWAY”
Woody Allen's 1994 backstage romp Bullets Over Broadway has finally been turned into a musical, and it's part Damon Runyan, part good old-fashioned Broadway razzmatazz, and–despite the off-color...
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Review of “Ashes & Ink” by Martha Pichey
Review of "Ashes & Ink" by Martha Pichey
Martha Pichey’s Ashes & Ink is a powerful and heartfelt exploration of love, addiction, and the complex dynamics of...
LENDO AS FOLHAS DE CHÁ DO FIM DA GUERRA NA UCRÂNIA
Em vários livros recentes, especialistas em Rússia e Ucrânia avaliam a importância do Grupo Wagner e tentam prever como será a invasão de Putin.
Por...
Nova York Espera Receber 61 Milhões de Turistas em 2023
Depois de ser chamada de "cidade fantasma" durante o pico da pandemia, a cidade de Nova York está oficialmente voltando mais forte, e o...